In 16+ a room, Emily Molnar, Ballet BC’s Artistic Director, displays her unique choreographic language through a complex study of time, transition, and stillness, where the space between is as important as the space occupied, and one is left with the feeling of both liberty and disappearance.
With Solo Echo, globally celebrated choreographer and former Ballet BC company member Crystal Pite explores recurring themes of acceptance and loss—inspired by two sonatas for cello and piano by Brahms and the poem “Lines for Winter” by Mark Strand.
Finally, Tel Aviv-based Sharon Eyal and Gai Behar’s Bill is a daring piece showcasing Ballet BC dancers in intricate and precise expressions of the body combining dance, music, and design into an instantly recognizable whole—raw, unexpected beauty created with equal parts ebb and flow.
September 13, 2017
University of Southern California
Bovard Auditorium, Los Angeles, CA
September 15 & 17, 2017
Laguna Dance Festival, Laguna Beach, CA
September 23, 2017
Port Theatre, Nanaimo, BC
March 6-7, 2018
Sadler’s Wells Theatre, London, UK
March 9, 2018
Brighton Dome, London, UK
March 13-14, 2018
Theatre Royal, Newcastle, UK
March 16-17, 2018
Birmingham Hippodrome, Birmingham, UK
March 20-21, 2018
The Lowry, Salford, UK
March 23-24, 2018
The Alhambra Theatre, Bradford, UK
For our tour to The University of South California and Laguna Beach:
Ballet BC acknowledges the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.
Ballet BC remercie le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.