Sharon Eyal was born in Jerusalem. She danced with the Batsheva Dance Company from 1990 until 2008 and began choreographing within the framework of the company’s Batsheva Dancers Create project. Eyal served as Associate Artistic Director of Batsheva between 2003-2004, and House Choreographer of the company between 2005-2012.
During 2009, Eyal began creating pieces for other dance companies in the world: Killer Pig (2009) and Corps de Walk (2011) for Carte Blanche Dance of Norway; Too Beaucoup (2011) for Hubbard Street Dance Chicago, and Plafona (2012) for Tanzcompagnie Oldenburg, Germany.
In 2013, Eyal launches L-E-V with her long-time collaborator Gai Behar.
In the past 4 years since L-E-V was founded, the company had more than 150 performances some in the most exclusive venues around the world such as: The Joyce Theatre – NYC; Jacob’s Pillow – Becket, Massachusetts; Sadler’s Wells – London, UK ; The Montpellier Danse Festival – France; Julidans – Amsterdam
Alongside their work with L-E-V, Eyal and Behar had also been commissioned to create for external companies: the Nederland Dance Theatre’s Sara (2013); Bedroom Folk (2015); Salt Womb (2016), Half-Life for the Royal Swedish Ballet and more.
Eyal is the recipient of numerous awards, including the 2004 Ministry of Culture Award for young dance creators and the 2009 Landau Prize for the Performing Arts in the dance category. In 2008, she was named a Chosen Artist of the Israel Cultural Excellence Foundation. Most recently, Eyal was awarded the prestigious Fedora Prize (2017), and was the recipient of the 12th Belgrade Dance Festival’s Jovan Ćirilov Award (2017).
Eyal is currently an Associate of Sadler’s Wells.